For our magazine cover and cover we took various photos of our actor Phil, who plays Brian (the villain) in our trailer.
By adjusting the lighting and taking multiple shots, we managed to choose the most appropriate images from the selection we had.
Friday, 21 December 2012
Thursday, 20 December 2012
Planning: Music Source
The music sourced for our trailer cam from royalty-free websites that allow people to download their tracks and use them in their own productions.
The intense instrumental track that will be used during the running/chase scenes is by and artist called TeknoAXE. We used this as it gave a modern edge to our trailer, and this genre of music appeals to the people in our target audience. http://teknoaxe.com/cgi-bin/link_code_2.pl?287
The eery ambient background music was sourced from http://incompetech.com/music/royalty-free/index.html?feels%5b%5d=Mysterious&page=1
All of the sound effects that we didn't record for ourselves were sourced from soundbible.com (gunshot, sound of rifle butting Nick etc)
The intense instrumental track that will be used during the running/chase scenes is by and artist called TeknoAXE. We used this as it gave a modern edge to our trailer, and this genre of music appeals to the people in our target audience. http://teknoaxe.com/cgi-bin/link_code_2.pl?287
The eery ambient background music was sourced from http://incompetech.com/music/royalty-free/index.html?feels%5b%5d=Mysterious&page=1
All of the sound effects that we didn't record for ourselves were sourced from soundbible.com (gunshot, sound of rifle butting Nick etc)
Labels:
planning1
Sunday, 9 December 2012
Wednesday, 5 December 2012
Planning: Production Schedule
DATE/DAY/TIME
|
SCENE
|
INT/EXT
DAY/NIGHT
|
CREW
|
CAST
|
PROPS/RESOURCES/
REQUIREMENTS
|
Friday 14th December
09:00-11:00 |
2
|
Day
|
Faith Murphy - Camera
Lucy Bennett - Lights Jack Cranston – Sound |
Charlotte Houlbrooke
Joe Kitteringham Philip Groves |
Costume – casual clothing
Makeup – blood and bruises Props - gun, rope, alcoholic drinks, pills Equipment = DS100 camera, tripod, lights, Zoom H4, XLR cable, gun mic, boom pole, clapperboard, glide track |
Sunday 16th December
18:00-20:00 |
2
|
Night
|
Faith Murphy -Sound
Lucy Bennett - Camera Jack Cranston –Lights |
Charlotte Houlbrooke
Joe Kitteringham |
Costume – casual clothing
Makeup – blood and bruises Equipment = DS100 camera, tripod, lights, Zoom H4, XLR cable, gun mic, boom pole, clapperboard |
Sunday 9th December
10:00-17:00
Sunday 16th December
09:00- 13:00 |
1
|
Day
|
Faith Murphy - Lights
Lucy Bennett - Sound Jack Cranston – Camera |
Philip Groves
|
Costume – casual
Makeup – natural with dark shadows under his eyes
Props - flower Equipment = DS100 camera, tripod, lights, Zoom H4, XLR cable, gun mic, boom pole, clapperboard |
Labels:
planning1
Monday, 3 December 2012
Planning: Font used for the film's title "Captive"
As a group, we picked the font we will use to show the title of our film to be used by using dafont.com as a resource. This font will be used in both our trailer and poster, and possibly on our magazine cover too.
Before deciding which font we definitely wanted to use, we shortlisted 10 and tried them out on our digital poster mock-ups, before eventually deciding on using 28 Days Later (number 1 on the picture below).
After playing around with various colours, we decided to use a dark red on a black background.
The black connotes the darkness of certain aspects of the film, and the deep red represents the danger within the plot.
Before deciding which font we definitely wanted to use, we shortlisted 10 and tried them out on our digital poster mock-ups, before eventually deciding on using 28 Days Later (number 1 on the picture below).
After playing around with various colours, we decided to use a dark red on a black background.
The black connotes the darkness of certain aspects of the film, and the deep red represents the danger within the plot.
Labels:
planning1
Sunday, 2 December 2012
Planning: Shot List
Shot No.
|
Location
|
Shot description
|
Framing
|
Angle
|
Movement
|
Shot Complete
|
#1
|
EXT. RIVER.DAY
|
Brian walking
|
Establishing shot
|
Level
|
Pan
|
Y
|
#2
|
EXT. RIVER.DAY
|
Brian watching the river
|
Behind the shoulder
|
Level
|
N/A
|
Y
|
#3
|
EXT.PARK.DAY
|
Brian picks a flower
|
Wide shot
|
High
|
Pan
|
Y
|
#4
|
EXT.PARK.DAY
|
Brian picks a flower
|
Close up
|
High
|
N/A
|
Y
|
#5
|
INT.HOUSE.NIGHT
|
Brian looking on Facebook
|
Medium close up
|
Level
|
N/A
|
y
|
#6
|
INT.HOUSE.NIGHT
|
Hand scrolling across the mouse
|
Close up
|
High
|
N/A
|
Y
|
#7
|
INT.HOUSE.NIGHT
|
Computer screen
|
Wide shot
|
Level
|
N/A
|
Y
|
#8
|
INT.HOUSE.NIGHT
|
Brian looking at Facebook
|
Close up of eyes
|
Level
|
N/A
|
Y
|
#9
|
INT.HOUSE.NIGHT
|
Spikes the drinks
|
Medium shot
|
High
|
Pan
|
Y
|
#10
|
INT.HOUSE.NIGHT
|
Pill dissolves
|
Close up
|
Side
|
N/A
|
Y
|
#11
|
INT.HOUSE.NIGHT
|
Ashley’s eye opens and looks around the room
|
Extreme close up
|
Eye Level
|
N/A
|
Y
|
#12
|
INT.HOUSE.NIGHT
|
Ashley looks around the room
|
Medium shot
|
Level
|
N/A
|
Y
|
#13
|
INT.HOUSE.NIGHT
|
Feet walking down the stairs
|
Close up
|
Level
|
Pan
|
Y
|
#14
|
INT.HOUSE.NIGHT
|
Conversation between Brian and Nick.
|
Shot reverse shot
|
Level
|
N/A
|
Y
|
#15
|
INT.HOUSE.NIGHT
|
Brian hits Nick with the gun
|
Point of view shot
|
Low
|
N/A
|
Y
|
#16
|
INT.HOUSE.NIGHT
|
Hand grabs a saw (insert shot)
|
Wide shot
|
High
|
N/A
|
Y
|
#17
|
INT.HOUSE.NIGHT
|
Ashley picks pliers with her feet
|
Wide Shot
|
Low
|
Pans up
|
Y
|
#18
|
INT.HOUSE.DAY
|
Ashley and Nick hide behind a door
|
Medium Shot
|
Level
|
N/A
|
Y
|
#19
|
INT.HOUSE.DAY
|
Hand opening a door
|
Close up
|
Eye level
|
N/A
|
Y
|
#20
|
INT.HOUSE.DAY
|
Couple run down the stairs
|
Long shot
|
Low
|
N/A
|
Y
|
#21
|
INT.HOUSE.DAY
|
Dark room
|
Wide/ point of view shot
|
Eye level
|
Pans across
|
Y
|
#22
|
INT.HOUSE.DAY
|
Feet running downstairs
|
Medium shot
|
Level
|
N/A
|
Y
|
#23
|
INT.HOUSE.DAY
|
Brian watches them run out the house
|
Point of view shot
|
High
|
N/A
|
Y
|
#24
|
INT.HOUSE.DAY
|
Brian points a gun at them
|
Medium shot
|
Level
|
N/A
|
Y
|
#25
|
EXT.GARDEN.DAY
|
Couple running
|
Long shot
|
Level
|
Pan
|
Y
|
#26
|
INT.HOUSE.DAY
|
Brian points a gun at the couple
|
Medium shot
|
Level
|
N/A
|
Y
|
#27
|
EXT.GARDEN.DAY
|
Ashley looks back
|
Medium/close up
|
Eye-level
|
N/A
|
Y
|
#28
|
INT.HOUSE.DAY
|
Brian points a gun at the couple
|
Extreme close up
|
Level
|
N/A
|
Y
|
#29
|
EXT.GARDEN.DAY
|
Couple running
|
Wide shot
|
Low
|
Pan
|
Y
|
#30
|
EXT.GARDEN.DAY
|
Brian walking
|
Behind shot
|
Level
|
N/A
|
Y
|
#31
|
EXT.GARDEN.DAY
|
Couple running
|
Close up
|
level
|
N/A
|
Y
|
#32
|
EXT.GARDEN.DAY
|
Brian walking
|
Wide shot
|
level
|
N/A
|
Y
|
#33
|
EXT.GARDEN.DAY
|
Brian shoots the gun directly at the camera
|
Medium shot
|
Eye-level
|
N/A
|
y
|
Labels:
planning1
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